Metering for haze
Haze fools the meter — it reads that bright field of grey and underexposes, turning white vapour muddy. I dial in +2/3 to +1 stop of compensation and let the highlights breathe. The scene should feel luminous, not leaden.
Haze fools the meter — it reads that bright field of grey and underexposes, turning white vapour muddy. I dial in +2/3 to +1 stop of compensation and let the highlights breathe. The scene should feel luminous, not leaden.
Atmosphere separates planes. Each successive layer of trees or rooftops fades a little more, and a 135mm compresses those layers into a stack of soft greys — depth without a single hard edge.